New Mt Rainier Newsletter

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Rainier Independent Film Festival 2009

From RainierFilmFest.com, for June 12-14, 2009.

The Rainier Independent Film Festival is dedicated to providing true Independent Filmmakers a venue to have their films screened in the tranquil area surrounding Mount Rainier.

Mixing films, workshops and the laid-back setting of the area, this festival is set apart in the fact that it is a great opportunity to meet and mingle with film industry people outside of the hustle and bustle typically associated with the business.

Located in the shadow of Mount Rainier, the Ashford Valley provides the perfect setting for this festival. Our screening venues range from an authentic circular Yurt, an elementary school built in the 1920's with capacity of 400, to an intimate setting in the prestigious Nisqually Lodge. All projection is shown in the latest in digital technology.

Because of the unique location and our understanding that limited funds (if any!) are available to Independent Filmmakers, complimentary lodging will be provided by RIFF to the selected filmmakers in attendance.In addition,

• We will be offering awards such as post-production services and PR - with more as they become locked in.
• We will have a media center for our workshops, seminars and for the filmmakers to promote their projects and mingle with the public (the filmmaker lounge will still be onsite with complimentary drinks!)
• Finally, as always, because of the unique location and our understanding that limited funds (if any!) are available to Independent Filmmakers, complimentary lodging will be provided by RIFF to the selected filmmakers in attendance.

Stay tuned as we create and add to our schedule.

All the Best,
Win Whittaker, RIFF Festival Director

Calculating Sunrise and Sunset for Photographers.

This morning the sun hit my face a little earlier than usual.  Yes, it's because of the fantastic weather we are having here in the Pacific Northwest, but as we all know the days are getting longer already.  This means getting up earlier and earlier to shoot sunrises.... ouch!  A couple of online tools that I use on a regular basis to calculate Astronomical, Nautical, and Civil Twilight, as well as sunrise, sunset and phases of the moon are here.

www.sunrisesunset.com and www.cmpsolv.com/los/sunset.html.

The beginning of civil twilight is when the "color" starts to happen, so I usually arrive at my shooting location during nautical twilight and shoot until sunrise.  Play this scenario in reverse in the evenings. An insiders tip for Mt. Rainier is that because of the huge vertical relief Rainier has in relation to the most of the state, expect the sun to hit the summit 10-15 minutes before official sunrise.  Have fun playing with those online tools and be there when the "show" happens.  I hope to see you on the mountain.

Adam

Climate Friendly Parks.

The two day Climate Friendly Parks workshop held at the Community Center in Mt. Rainier National Park was a huge success. As a member of the public and a business partner with the park, I am very excited to be part of what will certainly be one of the premier models for green operations in the Pacific Northwest!  The details of the two day event are extensive, so I will spare you the details here.  I would, however, like to direct you to a couple of resources listed below.  I also might be able to help steer you to the right park personnel to answer your questions as they arise.

The first web based resource is the "Do Your Part" website of Climate Friendly Parks and the National Parks Conservation Association.  You can visit it at www.doyourpartparks.org. Climate Friendly Parks is the first interactive online program in the country that provides national park visitors and supporters with the tools to understand and reduce their carbon footprints and thereby help to protect our national parks from global warming. Do Your Part! is sponsored by the National Parks Conservation Association (NPCA) in support of the National Park Service’s Climate Friendly Parks program.

Do Your Part!’s interactive mapping feature lets you explore park goals and the progress park stakeholders are making towards those goals. Its carbon calculator provides the tools you need to understand your current carbon footprint and then set goals to reduce your impact. Its tracking tool displays progress in real time towards park and related group goals.

The other online resource for more general and comprehensive information is www.nps.gov/climatefriendlyparks.

Thank you for showing interest in Climate Friendly Parks, and I hope to see you on Mt. Rainier.

Adam

Climate Friendly Parks Workshop, Mt. Rainier National Park

On behalf of the Institute I will be attending the Climate Friendly Parks (CFP) Program this week at Mt. Rainier.  The CFP is a collaboration of the National Park Service and the U.S Environmental Protection Agency, to provide national parks with management tools and resources to address climate change. The program aims to provide national parks with comprehensive support to address climate change both within park boundaries and the surrounding community.

The goals of the workshop will be:

•To educate park employees and park partners about climate change/global warming and the
role each can take in addressing the problem.
•To empower every park employee and park partner to serve as communicator—helping the
public understand global warming/climate change, how the park is dealing with it, and the difference that each person can make.
•To provide a framework and ongoing support for actions to communicate both internally and externally about progress and challenges of becoming a Climate Friendly Park.
•To develop a Park Climate Action Plan with concrete emission reduction goals.

If you have any questions about concessioners and CUA holders in Mt Rainier National Park and the CFP, please feel free to contact me.

Adam Angel

Expose your photos correctly while climbing Mt. Rainier

When climbing Mount Rainier you will encounter conditions like you've never experienced before.  So will your camera.  There are two photographic problems and two very simple techniques that will help you mitigate them.  You will greatly improve your images when shooting on the mountain if you follow these recommendations.  Yeah!  It should be noted that I am only offering "quick and dirty" techniques in this article, that can make huge strides in your images with very little "know how."  If you are interested in pro level control, please check out our Photography Workshops on Mt. Rainier.

The first problem you will encounter is that the snow will deceive your camera's built in light meter and result in severely underexposed images.  You might have seen or taken images in the past that were taken on snow where the snow looks drab and gray, and the person whose picture you were taking is nothing but a black silhouette.  The second problem is only a problem during sunrise and sunset, BUT these are the times that are best for photography so listen up!!

Let's start with getting proper exposure when shooting in any uniformly bright environment..... like snow.  The light meter in all cameras thinks that the world is 18% gray (middle gray).  This value works well for an "average" scene, whatever that may be, but fails when the world is "really light."  This is where digital cameras make it VERY easy to compensate in a controlled way.  Each manufacturer and camera model vary, so get out the camera manual and learn these functions.  You will need to "compensate" for the camera's attempt at a proper exposure by using the exposure compensation function.  Snow should not be gray, it should be white, which is 1 to 2 stops brighter than middle gray.  The quick and dirty solution is to set the exposure compensation in the range of +1 to +1.5.

The overall effect will lighten up the snow and expose your dark subjects more accurately.

•••••••••••

The second issue is one of white balance.  What is white balance you ask.  In the old days you had daylight balanced film and tungsten balanced film.  If you shot under tungsten lights with daylight balanced films the pictures looked yellow.  Add fluorescent lights, sodium vapor, etc. and the mix got quite complicated.  Luckily today, no matter what the "color temperature" of the light source, you can tell your camera that white is white, and your pictures will look correct.  Most people leave their cameras set on "automatic white balance."  Depending on your camera, it can do a pretty good job, most of the time. (Especially on snow!)  The problem that arises is when you are capturing climbers at sunrise/sunset and the mountain is glowing with beautiful reds and oranges.  Your auto white balance will decide that there is a reddish color cast and correct for it.  AAAAGGGGGHHH!!.....Skillfully rendering your beautiful sunset WHITE.  The solution is simple.  Just set your automatic white balance mode to "daylight."  This is effectively the same as shooting with daylight balanced film.  You can leave your white balance set to daylight during the rest of the day too.  Just remember to switch out of "daylight white balance" for the celebratory beers in the tungsten lit bar after the climb!

The Right Camera for Climbing Mt. Rainier.

This article was originally posted in November of 2008.  The recommendations pretty much remain the same, but A LOT of new equipment has come on to the market since then.  In terms of this article, just replace the "G10" with the "G11" and things pretty much stay the same.  Enjoy!  (Adam 11-09)

You've spent a year training to climb Mt Rainier.  You've bought the gear, hired the right guide, taken the time off work, bought the plane tickets AND you want a great new camera to capture the whole experience.  The options these days are numerous and constantly in flux.  By the time you read this article new cameras will be released and others taken out of production.  This is an exciting time to be a photographer, and your climb of Mt Rainier will no doubt provide many opportunities for dramatic images.  It was the mountain after all that led me to photography in the first place.  So, what are my recommendations?

First, let me tell you that for me image quality is paramount.  In the past this absolutely meant bringing along a digital SLR with interchangeable lenses.  These cameras have large sensors and are easy to operate even with gloves on.  They also capture RAW files for professional output.  The ability for a camera to capture RAW files is absolutely necessary if you want to produce high quality images.  There are volumes and volumes of books, as well as workshops, that focus on processing your camera's RAW output for optimum results.  Luckily there are a few "point-and-shoot" cameras available now that produce RAW files.  A camera with the ability to shoot RAW comes at a premium though.  These cameras will cost a little more than the basic point-and-shoot cameras available today.  It is worth mentioning though that you pretty much get what you pay for when it comes to cameras and camera accessories.  If you are serious about high quality images then spending as much as you are comfortable with is probably a good idea.  Even if you don't know how to work with RAW files, you can set the camera to capture regular jpeg images and RAW files simultaneously.  That way if you get "The Shot," you can have a high end printer process and work the RAW file with you for output in a professional environment.

To get a camera that captures RAW files, you will be looking at high-end point-and-shoots such as the Canon G10, or the Panasonic LX3.  The other option is to bring a Digital SLR with interchangeable lenses.  While a D-SLR will provide you with the best possible image quality, you aren't going to get that many shots if the large camera is living in your backpack.  I usually carry a D-SLR, but it is very liberating to travel light, and the new cameras that I mentioned above do a very good job.  I can't overstate the importance of bringing a camera that you can actually use.  With a high end point and shoot, you will be able to keep the camera in a jacket pocket and shoot with one hand, so that the other hand can still participate in your primary activity of the moment... CLIMBING.  As an added bonus to having it handily parked in a jacket pocket, the battery will stay warm and last quite long.

When picking a camera for the climb I would guide my purchase using these priorities... followed in parentheses with the camera that excels in that quality.

1. Does the camera produce RAW files?  (G10 or LX3)
2. Is the camera "pocketable?"  (LX3)
3. Does it have an optical viewfinder so that you can save battery power? Note that the LCD's while very good, are hard to see in very bright light and with Polarized sunglasses.  (G10)
4. Can I operate the camera with gloves on?  One hand? (G10 or LX3 with a slight upper hand to the G10)
5. Low light capabilities? For shots in the tent.. monks in monasteries on future trips!  (LX3)
6. Video?  Many of todays pocketable cameras capture pretty descent HD Video.... Why not have that too?!?  (LX3)
7. Built in lens cap? Don't want something to drop!!!  (G10)
8. Price.  (LX3) Note:  When these cameras were launched the LX3 was almost $100 less.  Due to the high demand for this camera, it now has a street price of $100 more and is the more expensive of the two (12-6-08).

In conclusion, I can tell you that the person with the least amount of extraneous C@#P and the lightest pack on the mountain will have more fun than the others, and today's new RAW capture point-and-shoots are just the ticket that we have been waiting for!  Have fun, climb safely, and bring back some great images!

Adam

P.S. For another Mt. Rainier Specific tip click here.

For more information or to purchase most of the equipment that I use please visit here.

Past Accolades for Kilimanjaro Climb and Safaris. Tanzania, East Africa.

"I wanted to let you know what a tremendous experience this was for us and how pleased we were with the whole IMG program from start to finish. From the initial contact with you (Eric Simonson) and Phil Ershler, through the whole trip planning process, to the expedition itself, everything was highly professional and first class in every respect. Your personal communications to me by email and rapid response to any questions or concerns in advance of the trip were greatly appreciated. The local arrangements through the Keys Hotel and the assistance of and experience with the African guides, cooks, and porters were beyond expectations. I also cannot speak highly enough about Adam Angel. Not only did he do a great job coaching us through our progressive trek into high altitude, but he also became a wonderful companion and friend, and undoubtedly greatly facilitated the camaraderie that quickly developed amongst the climbers.

I don't know when I may get another chance to climb, but when I do, you can be assured that if at all possible, it will be with IMG. It appears that you set the standard in guided mountaineering, and I thank you for making possible this once in a lifetime experience for my son and me."

—Michael B.

"We had an incredible experience on our trip. The climb was awesome! IMG had everything well organized from the excellent accommodations before and after the climb to the coordination of the porters and cooks on the climb. Adam was a pleasure to climb with. He took a personal interest in each person achieving their goals for the climb and did everything he could to help make that happen. He had a great sense for when he needed to provide specific direction to the group and when it was okay to let the group just experience the mountain. Hope we have the chance to climb with him again. We look forward to our next adventure with IMG."

—Rob & Julie L.

"What a fun trip. And all I have to say is who ever thought up the porter concept was brilliant. It's not bad strolling up and down a mountain when you don't have to schlep your own stuff. Seriously, Tanzania is an amazing country. Kili is a beautiful mountain and the safari was just the right length of time. I also very much enjoyed climbing with Adam Angel. He's a very nice guy and excellent tour guide. The group was lots of fun and got along very well. Just a wonderful trip all the way around."

—Monica R.

"I just wanted to send a short letter to thank you and Adam for a excellent trip to Kilimanjaro. Adam did a great job throughout the climb and I would definitely recommend IMG and Adam for anyone wanting to do a climb."

—John S.

"I think I should first speak of Adam, for without his expert guidance and leadership, our climb could have been quite different and not as successful... at least for me. Although I have done some climbing, I was perhaps the least experienced of the group. And although I had trained religiously for months, I was not prepared for many of the challenges that confronted us. Adam was there for me and everyone, for every step of the way.

Not a headache was to go by without him knowing about it. When they did occur, Diamox was not the preferred cure; rather going back to the basics of breathing and drinking. He talked about what we should wear each day and how often we should snack and drink water. He instructed us as to the use of our poles: how long or short they should be or if we needed one or both. And when I encountered some problematic spots on the Baranco Wall or wherever, he was there to get me safely to the next point. By the time we had reached Barafu Hut, he had laid the groundwork: he had instilled so much confidence in us of his abilities as a leader. Little did we know how important that confidence in him was for us to reach the summit.

I know that Adam spoke to you about the wind and the less than perfect conditions on summit night. Regardless, Adam was unbelievable. He was decisive. He shouted out instructions all along the way: to eat, to drink, to breathe, to rest step and for me to stand up straight. He was quick to have our packs taken off and carried by a Chagga, when we were being carried and thrown down by the wind. And he yelled encouraging words that we were doing so well and that our bodies could do it and not to let our minds tell us it couldn't!! And because of his leadership and good judgment, no one was hurt, and we reached the summit safely.

All in all, it was an experience of a lifetime. And I thank you for including me in the group."

—Susan G.

One-on-one Fine Art Printing.

Even with extensive knowledge of photography or Photoshop or printing, there are many opportunities to botch the whole thing during some part of the process.  A 6-day "digital basics" workshop might not fit into your schedule or maybe you just need that last part of the puzzle to make your images finally come together in a master fine art print.  That is where a one-on-one session can get you to the next level in very short order.  Maybe you just need a productive day of printing with some "hand-holding" to get you past some reoccurring obstacles, such as equipment, or improper techniques.  This is a chance to sit down with photographer, educator, and mentor Adam Angel and work on whatever you want.... Digital Capture.... Processing.... Printing.... Presentation.  This format will allow you to get the personal attention you need, working on your images, at your pace.  This can be an excellent follow-up to one of our "Field" intensive workshops in Tanzania.

Topics might include:

• Color Management
• All stages of Image Processing
• Black and White Conversions
• Soft Proofing
• Printing for Color and/or Black and White
• Sharpening
• Paper Options
• Presentation

Sessions take place at the studio in Morton, 204 National Park Highway, Morton, WA.  98356.

Equipment available to you during the session:

• 27" iMac 2.8GHz Quad-Core Intel Core i7
• Eizo ColorEdge Premium Edition Display CG241W
• 23" Apple Cinema Display
• 44" Epson 9890 Printer
• 17" Epson 3880 Printer
• Eye-One Photo Spectrophotometer
• Photoshop CS5 with Bridge
• Pixel Genius Image Sharpening
• i1Profiler
• Plus the whole studio will be at your disposal!

Sessions are 8 hours and include as many large format prints as we have time for.  The fee is $895.  A typical session goes from 9:00 to 6:00 with an hour for lunch.  Please contact me to discuss your options or to schedule.  Adam@AdamAngel.com

Photoluck (like a potluck but with photos)

Friends of Adam Angel Photography and the Mt. Rainier Institute of Photography.  Starting every Wednesday night on October 15th....Breathe....Learn from others....Set goals....Reflect....Recharge....explore creativity.....share your intent....Grow with your photography and have a good time.

Come share your images at our weekly Photoluck Dinner.  Bring a digital file of your favorite picture and your dinner/beverage of choice (just your own), we'll do the rest.  Bring your spouse (they have to bring a photo too) and pass this on.

5:30 PM,  204 National Park Highway (that's 2nd street to you locals), Morton, WA.  98356.

Adam